Description Tanjore (South India) Opaque pigments and gold on wood, in original frame Rama’s coronation, Ramapattabhisheka, is one of the most popular themes of South Indian painting. The central group consists of Rama seated in lalitasana on the throne with Sita to his left; Lakshmana carrying a chamara (fly whisk) standing immediately behind him; a green-complexioned Bharata carrying a parasol standing behind Sita; Shatrugna with a fly whisk to Bharata’s left, and finally, in the foreground, Hanuman lovingly supporting Rama’s right foot. On either side are groups of attendees. The group on the left consists of ascetics, monkeys, and Jambavan — here recognisable by his blue snout. On the right are a number of courtly figures. Among them should be Vibhishana, the new king of Lanka, who helped Rama in defeating Ravana, but is not readily recognisable here. Traditional Tanjore paintings were done on wooden panels, which were typically seasoned teak wood or jack wood whose narrow strips were joined together. In some exceptional paintings, precious stones were used as insets, but usually it was paste and strips of pure gold foil in which exquisite patterns were etched. Colours were prepared from natural extracts. There was a complete absence of light and shade effects, except sometimes on the faces of the main figures. Strong, bright, and flat colours such as red, white, yellow, green and blue were used. Figures were often rotund, suggesting prosperity. Background colours were typically red, blue or green. The themes were predominantly religious but also included portraits of rulers and courtesans. Figures were usually placed within a pavilion with arches, curtains, pillars, etc. Framed Size (cms): 58(H) x 48(W) Framed Size (inches): 23(H) x 19(W)
